Looking forward to seeing this and the virtual reverb race it will probably inspire. I'm curious how efficient such a rich Lexicon circuit would be to emulate in the computer-based production. Casey from Bricasti Designs did mention however that his own M7 algorithm would essentially take 5 DSP accel cards to run. If Lexicon nails their signature sound in an algorithm it would be no-brainer. I like the clarity and the chaotic reflections achieved by good algorithms. There is a subtle but noticeable difference between convolution vs algorithm-based reverb. (This works equally well with hardware reverbs). Because all the computers are being monitored in real time through a 16 channel mixing bus there is not need to add to latency by additionally sending the signal back into the DAW. Basically we're talking about a Macbook running Plogue Bidule and five Aether instances set at 100% wet and the dry daw instruments sending signal via bussing. Lately I've been experimenting with a remote algorithmic reverb setup. Simply first class.This is great news! Thanks for the heads up.
#Rob swire 2caudio aether software
It has given me extremely detailed and warm sounding reverbs that are hard to find this good, even from some of the best hardware and software reverbs available. It allows you to perfectly shape the space around your sound, giving it an incredible and convincing ambience. “Aether has a sculptural quality to it that makes it instantly pleasing to hear. I will be using it on pretty much everything.” It is really the best algorithmic reverb out there. “Aether is the best sounding algorithmic native reverb I've ever heard.” “10/10! Editors Choice Award! Performance Award! One of the best algorithmic Reverbs we've ever heard! Fantastic Sound quality. Aether's approach does not simply sample one static picture in time, but rather captures the complete subtly of the dynamic chaotic processes found in life and it retains all the detail and organic feel of these processes. A lake in the real world is unlikely to spontaneously develop waves the size of those found in the ocean, but it is never quite as still as a picture either. It is like a picture of a lake, versus the lake itself. A sampled impulse response of a real acoustic space, can be quite accurate for that particular moment, but it tells only part of the story. Thus, acoustic space itself is alive in the real world and is constantly shifting, morphing, and evolving to produce a complex array of potential impulse responses. The same is true in real world acoustical spaces as well: a building's acoustical character may vary slightly depending on several factors such as its current occupancy, and even more subtle things such as the current temperature and humidity. Unlike convolution reverbs, Aether is not a static process, and no two instances of Aether are ever exactly the same. 2CAudio develops audio plug-ins for all of the various host standards and will focus on spatial processing, advanced creative effects, and other future-forward ideas.
It is the first product of 2CAudio, a new sister company of Galbanum. The rest is just detail.Īether is an award-winning, ultimate quality, self-modulating algorithmic reverb. We believe it is one of the best sounding reverbs on the market. 2CAudio Aether Algorithmic Reverb VST v1.0.1 įirst and foremost, Aether sounds absolutely incredible.
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